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Muhteşem Yüzyıl, "The Magnificent Century," a new historical fiction TV Turkey

Following the success of the television series The Tudors, the appearance of Ridley Scott's miniseries "The Pillars of the Earth" or the surprise of the season also formats for television series "Spartacus" , Turkey does not intend to stay behind and will soon release one of the blockbusters Turkish television season, the next January 5, 2011 the private television channel Show TV premiere Muhteşem Yüzyıl , "The Magnificent Century," a historical television drama about the most important period of the Ottoman Empire under Sultan Suleyman the Magnificent. Süleyman I (1494 -1566) dubbed in Turkish Kanuni (the Lawgiver ") and known in the West as Suleiman the Magnificent ruled the Ottoman Empire led to his heyday period between 1520 and 1566. Son of Selim I Yavuz, married three wives, one of which, Hürrem Sultan, a concubine of the harem of Ruthenian origin better known as Roxelana was very famous in European courts of the time, and for his influence in the court of the Sublime Porte, which I suppose is one of the principal axes in which Turkish writers have worked more. A server will not miss the first few chapters, I will publish a short review or comment on them. I leave you with 2 trailers for the series, the first one with English subtitles.





Update January 13, 2011:
The series is already two episodes aired, and in my opinion, is a marvel, despite certain conservative Islamists have put the cry in heaven ... historical accuracy is, at least for what is in the final after a series of tv ... is that as they paint the Islamist Saadet Partisi, saying that "the H aren seems a brothel "because this server does not think the same, I see everything right, and I loved the series, this time living a historic Ottoman in your living room ... and the series does not fall into errors of Western Orientalists, but a error of the naval expedition to Rhodes all else agrees with what the Ottoman Turks have also published director of Topkapı Palace Museum, an ottoman with a reputation as Ilber Ortaylı, has not complained much about the series ... not forget that it is a television series like "The Tudors" and not a documentary, as I said to a English correspondent in Istanbul. In short, recommended , and expand the market opportunities outside the Turkish series (Middle East, Balkans and Central Asia) to other countries like Spain.



Sheet Writer: Meral Okay
Address: Yağmur Taylan, Taylan Durul
Country: Turkey
Language: Turkish
Production: Tims
ACTORS-Suleiman the Magnificent: Halit Ergenç-Hürrem Meryem Uzerli-Sultan Valide Sultan (Mother Sultan Sultan or validate) Nebahat CEHR

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"Eurasian Hub, Eurasian analysis

Eurasian Hub is platform independent, without political orientation, for the exchange of ideas, discussion of projects and academic advising. Composed of teachers, researchers, diplomats, journalists, and all kinds of specialized analysts, Eurasian Hub focuses on the following geographic areas: Eastern Europe and South (Balkans) Black Sea countries, Turkey, North and South Caucasus, Iran, former Soviet republics of Central Asia and Afghanistan-Pakistan. Eurasian Hub is open to the participation of experts (recognized or training) English speakers interested in the cultures of the countries mentioned.

A highlight for my Part 2 Analysis of Eurasian Hub, "Biography of a story: Die Welt, WikiLeaks and the other" and "Return of the Caliph?" , an analysis of newspaper articles collation Nicholas Birch Eurasian.Org entitled Turkey: Could Make a Caliphate a Comeback? and the team of analysts Eurasian Hub concludes that Birch article is part of an idea-probe designed to bring some silent acquiescence of a possible debate on the restoration of the Caliphate in Turkey. And regardless of whether it was really possible or not (we tend to believe that today would be more than difficult.) In any case, the idea was launched with a probability from the Gülen Movement, seek a return on domestic and foreign policy.

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Facts & Black Chronicle Istanbul: Digital Daily Event and crime reports in the metropolitan area of \u200b\u200bIstanbul

Well, not everything is going to be history, monuments and wonders estambulitas groups, the XXI century megalopolis have their dark side and low funds, of course, so, I present one of my recent discoveries on the Internet that I following these past few weeks:
Facts & Black Chronicle Istanbul
Digital Journal and crime news events in the metropolitan area of \u200b\u200bIstanbul by the Başkomiser Nevzat and Mesut Guneri Komisar, inspectors from the General Security Directorate in Istanbul.

And also facebook page for those who can not live without social networking
http://www.facebook.com/pages/Diario-digital-de-sucesos-y-cronica-negra- de-la-ciudad-de-Estambul/156911421017620

Travestividevogiratis

1. The architecture is built at the mercy of the earthquake. Two key moments housing. Which arises from the ground and look for the top of the clouds, and which melts in shreds from the heights to flat terrain. Two moments present life: the rise and fall.

2. The architecture teaches us to desire. We want the comfort of our lives any means, literally, anywhere. That is, in a comfortable, without aridity, smoothly. That desire is transformed into an aesthetic ideal. Not only a comfortable but a beautiful place. Then the architecture teaches us to envy. Supernally place no satisfactory means spending in the stubbornness of desire is what prevails. The architecture is always desire and dissatisfaction, or satisfaction for only hope again.

3. The earth, the tectonic is what remains. The architecture is ephemeral, fleeting, momentary , uncertain: the bunker more regional or less stable hut the earth to shake like a plague, like a parasite undesirable. The architecture is always device, changing poetic building.

4. The architecture is always threshold: an inside of a space one outside a space. Above is a circumstance, is after another. There is no threshold beginning of any construction process or end of any structure in collapse.

5. Pinnacle and architrave, the highest part, the part low. Like any abstraction before laying its foundation or set the highest peak, before the circumstances space or become the preserve of the landscape, architecture first is a thought, an imagination, a draft unlikely and sometimes impossible, so start with pretensions transcendent, and ends in detritus of decadence: lots

remains vacant and reports.

6. The architecture is aesthetic contemplation, but this has nothing to do with housing functionality. Contemplation is about moods artistic, religious or philosophical: none of the three has to do with everyday life within the architectural structure. O yes, but in a casual, no causal , from the viewpoint of random. One always admires the houses of others, the one inhabits it, live it.

7. But architecture is primarily sculpture, painting and poetry. The first is erection of walls, the two waters of the sky, the clouds of the windows, the second is the sunflowers its side, the reflexivity of their whiteness, earthly tones and primary personality and the third is that do with the admiration the viewer, the gaze of the traveler, the contemplation of space become stanza.

8. The architecture began with the simplicity, ie foundation, pillars and roof. The else is embellishment, aesthetic charm of color, fashion, whim forms and heights , contemplation and leisure. The architecture is basically functional, syncretism meant to be blanket of being. The architecture is necessary habitat before recreation. The architecture is room without whims.

9. Pancho, my friend Mason, which is a kind of architect without academia, you read the following thought of Le Corbusier, which is another kind of architect without academia: "The home should be the case of life The machine of happiness. " And Pancho replied: "I think that friend did not know the concept infonavit."

10. However, any house, a house, designed, planned and built for several generations. In light of the desert and flashes of the big city. The great-grandparents, grandparents, parents, uncles and aunts, children and their children inhabiting the same house. Some come, some go, take turns, but the sequence continues. Although not move, the house always walks, but collapse, if it arises. Generación tras generación la casa es tradición, se convierte en un texto, en una pintura, en un símbolo, en una ética a seguir, en una costumbre para habitar. La casa es el libro educativo, la tradición oral, el cántico arrullador, la lectura de sobremesa, la escolaridad. La casa es la política, la economía, la cultura toda. La casa es la enseñanza. La casa se lleva a todas partes, aunque nunca parta.

Autor: Tomas di Bella

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Arab House Istanbul, European Capital of Culture



organized Arab House in Madrid during the months of November and December, various activities related to Turkey on the occasion of the celebration of Istanbul 2010 European Capital of Culture .

The Istanbul European Capital of Culture during 2010 Arab House serves to approximate to Turkey and get to know the multiple realities of a country that straddles two continents: Europe and Asia. Performing arts, music, film and discussion will allow al público madrileño adentrarse en algunos aspectos poco conocidos de la realidad turca actual.

SÁBADO 20 DE NOVIEMBRE: UNA NOCHE EN ESTAMBUL CON BABA ZULA

BaBa ZuLa, cuya actuación se enmarca en el Festival de Jazz de Madrid, fue fundado en 1996 en Estambul por Levent Akman (percusiones, máquinas de ritmo), Murat Ertel (saz e instrumentos de cuerda, vocal) y Emre Onel (darbuka y sampler). Desde su debut con el disco Tabutta Rövasata , han publicado seis álbumes; el último de ellos, Kökler , en 2007.

El grupo, que mezcla el uso de los instrumentos tradicionales turcos con elementos electronics, has given new life to traditional Turkish folk music. The basis of the compositions of Baba Zula is formed by recorded voices, and traditional and modern instruments that are enriched with various electronic effects. The music I make is determined through recordings or trials from which the group performs improvisations. Under the concept of "Improvisation determined", took this method of training to their concerts, in which include elements such as videos, films and movies, giving importance to the visual.

The concert will take place on Saturday 20 November in the hall of the theater Guirau Fernán Gómez Madrid (Plaza del Discovery, s / n) at 21:00. Tickets can be purchased at the theater box office or through www.telentrada.com .

OF 5 TO 29 NOVEMBER: CINEMA: STORIES Bosphorus. ISTANBUL TURKISH CINEMA IN NEW

Arab House organized the film series Tales of the Bosphorus. Istanbul in the new Turkish cinema, curated by Javier H. Estrada, who collects four films that are seen from different perspectives, changes Istanbul has experienced in recent years: from existential drama ( Far ) to a comedy inspired by Cervantes (Derived ), to the eternal debate between the old and the new ( 10 to 11) and the musical and cultural mosaic that represents the city ( Crossing the Bridge: The Sound of Istanbul ).

The cycle includes the screening of four films made in Germany, France and Turkey between 2002 and 2009 and the city of Istanbul as a backdrop. Far
of Nuri Bilge Ceylan (Turkey, 2002, 110 min.).
A photographer obsessed with the idea that the distance between his life and his ideals is growing, he is forced to accept the apartment of a young relative who has left the village to seek work aboard a ship in which, from Istanbul, is expected to travel abroad.
10 to 11 of Pelin Esmer (Turkey, France and Germany, 2009, 110 min.).
tells the story of Mithat Bey, a passionate collector, and Ali, the keeper of the estate in which both live. To Mithat Bey Istanbul is as unlimited as their own collections, while for Ali represents little more than a few blocks around the building. Both characters react to the threat of demolition of the building. Derived

, Ulas INAC (Turkey, 2005, 91 min.).
This film, based on the stories of Don Quixote by Cervantes, collects the adventures of a young woman who encourages his best friend, a very attractive woman, to seduce her boyfriend to test their loyalty.

Crossing the Bridge: The Sound of Istanbul by Fatih Akin (Germany, 2005, 92 min.). musician Alexander Hacke
immersed in this fantastic city in search of musical sources, influences and perspectives. From a Western point of view, the film shows a complex city, tense, erotic, dangerous and alluring.

films can be seen on Mondays and Fridays between 5 and 29 in the Auditorium denoviembre Arab House in Madrid (c / Alcalá, 62). The projection of feature will be at 19:30, except on 19 denoviembre, to be also a session at 16:30. All are laspelículas original version subtitled in English. Admission is free while space-entries after removing most conidia person-the same day half hour before screening.

SCHEDULE PROJECTIONS

Friday, 5 November Friday

	Far
Monday November 8	10 to 11
Friday, November 12	Derived
November 19 (16:30 pm)	Far
Friday, November 19 (19:30 pm)	Crossing the Bridge: The Sound of Istanbul
Monday 22 November Derived
Friday, November 26	10 to 11
Monday, 29 November	Crossing the Bridge: The Sound of Istanbul

The cycle of activities has begun in late October with the participation of the Ayse Orhon Art is action meeting .

THURSDAY AND SUNDAY 28 OCTOBER 31: PERFORMING ARTS: DECISION-HABITS

Arab House acts related to European cultural capital Istanbul was opened with the participation of the choreographer and performer in the III Ayse Orhon International Meeting "Art is action, action is production," organized by the Ministry of Culture with the collaboration of Casa Árabe.

Thursday 28 October, the artist held a meeting with the public to present their work and career, while on Sunday 31 presented the findings of taller de coreografía desarrollado durante la semana bajo el título Decisiones-hábitos.

Ambas actividades tuvieron lugar en el antiguo edificio de la Tabacalera de Lavapiés (c/ Embajadores, 53), a las 19:30 horas el jueves, y a partir de las 12:30 horas el domingo. La entrada fue gratuita.

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"Panter Pak" or Turkish version of "Pink Panther"



El pasado viernes 5 de noviembre se estrenó en Turquía la que viene a ser la versión turca de la comedia de 1963 titulada "La Pantera Rosa". En este caso, haciendo un juego de palabras con el título original del largometraje de Blake Edwards protagonizado por Peter Sellers, "The Pink Panther", los cineastas turcos la have been titled "Pak Panter", translating Turkish Pak as pure, clear, immaculate, "La Pantera immaculate."

The plot is as follows: A Turkish secret agents are sent to Russia Pak Panther organization to find the kidnapped Turkish energy minister in the Azeri capital of Baku, dazzling in their actions even Russian agents. The genre of the film is an action comedy and its director is Metin Aslan, who also directed "Turkler Çıldırmış Olmalı" (The Turks must be crazy) and "Maskeli Besler (The 5 masked).

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ISTANBUL EYE ALIEN


Here is an excerpt of comments author, journalist Lucas Farioli on this video :
[... inspiration, pleasure, passion, disorder , love, hate people, innocence. Among many other terms and will never be enough adjectives to describe in ten short minutes which is what goes through the minds of foreigners who throng the streets of the colorful, exotic and always addictive
Istanbul and explore the feelings of other foreign , of different ages who come from countries like Canada, Austria, Iran, UK, Finland and Sweden. We hear from the perspective of six strangers: Melisa Üneri, Reza Sefa, F Johan Larsson, Louis Savoy, Sabine Nittnaus, and Daniel Gaffney. We feel as through its clean look, form different perceptions when faced with a whole new world ...]
[... This video is presented as my own angle on the city and its people. I pay tribute as well, through the words of those who experience the same experiences. The idea is simply to compose a descriptive material, dynamic and humble that portray how he knows this city.
perceptions are usually eventually burn up in the nostalgia, and that is in a city as sumanente melancholy of Istanbul, the traveler is found only in passing. It is the bitter taste and end of a story of passion and color. Istanbul is the taste of the foreign eye ...]

Farioli Lucas Barbieri presents itself in his blog:

linguist and freelance journalist based English-Argentine in Istanbul, Republic of Turkey. He has worked for various institutions in Europe such as the Italian weekly "Latino Expreso" the Swedish newspaper Karlstad's Tidinigen "the BBC's World Today radio program for" BBC Americas English-Service ", the" University of Galatasaray, and the University of Yeditepe " in Istanbul as well as Newsweek Türkiye "among many other collaborations in various international media. He is currently based in Istanbul from where he works as an informant for the English and Argentine media.

Source: http://noticiasalaturca.blogspot.com/

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La Sultana Kosem (S. XVII) and its recently released feature-length biopic

Kosem
The Sultana was born in 1590, his talents, intelligence and beauty impressed the Sultan Ahmed I in that case, being the most influential person in the palace, was the mother of the future governor of Bosnia Murad IV. She became a widow when very young, the successors of her husband Ahmed, Mustafa Osman I and II, confined in the palace, however, continued to intervene in the affairs of state. When Murad IV took the throne as a minor, Kosem took the government's authority in his hands until his son was able to govern. Unfortunately the death of his firstborn 'took him up on the political scene again during the reign of his grandson Mohammed IV, administering the state remained until he was strangled by her sister one night in 1651 Turhan. Kosem the Sultana, was one of the most notorious and significant women in the history of the Ottoman Empire.
Source: http://www.galeon.com/otomanos/kosem.htm
More information: http://www.cablenet.com.ni/historyarte/Personalidades/KOSEM.htm

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"Büyük Oyun"



Cennet, a young Turkmen Iraq is the only survivor of a U.S. military attack on her village in northern Iraq. After the attack travels to Kirkuk, searching for his older brother. There he learns that he was wounded by a bomb and flown to Turkey for treatment. Desperate to keep track, Cennet embarks on an arduous journey. When one of the smugglers who helped her get through the mountains between Iraq and Turkey, the viola, she attempts suicide. This time she is rescued by members of a radical Islamist organization that helps reach Istanbul, but soon finds himself in the clutches of a charismatic religious figure who tries to make it an instrument to carry out an attack suicide bomber in the heart of the city on the Bosphorus. (Release Tomorrow Friday, 17 September)


A STEP INTO THE DARKNESS Ayfer Ozgurel, Avni Ozgurel, TFT Film Yapim, Tevfik Pasa Konagi Yildiz Cad No. 49, D.2, Besiktas, 3

Guion: Atil Inac Ozgurel
Director Avni, Atil Inac
Photo: Imamoglu Aziz: Editor
Starring: Suzan Genc, \u200b\u200bUcero Selen, Pak Haktan, Cabbad Ranna, Genc Serdal, Nalan Korucim

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documentary and feature film about the life of Said Nursi

Said Nursi (1877, Nurs, Bitlis Province - March 23 1960, Urfa) was a Turkish Islamic thinker Kurd, also known by the nickname of Bediüzzaman, meaning "the wonder of his time." A documentary about his life, "Yolcu" has been released this summer, here you can see the curtain and start the DVD menu, which summarizes part of the trajectory of Said Nursi:

Yolcu jenerik belgeseli
Yükleyen cesem35
. - TV dizilerini programlarÄ ± na ± see online izleyin. a documentary you can watch the complete, with its 3 chapters on this link (in Turkish)
http://bit.ly/9CykkJ
But what is very soon to talk about the film Adam
Hur, a biopic about Said Nursi just completed its shooting and have already aroused extensive bring up the same. Whoever wants to know this historic character of the recent Turkish history, you can read this post 4 years ago in this blog.

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Turkish religious and Turkey in the final of the 2010 FIBA \u200b\u200bWorld ... Classifieds

Hopefully in the final tonight against the U.S. Turkish some stars do not shake the pulse as in the semifinal last night and that "On iki dev adam" (The 12 giants) to rise up the trophy for World Basketball Champions. As a tribute, this promotional TV advert championship by the Turkish TV channel has the rights to broadcast, NTV

.

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Turkey Turks Mundobasket 2010 (and 3)

In this case, a TV announcement of one of the leading companies in Turkey, Ülker.

on Vimeo .

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"Sahaya Cik" (Jump to the court): Lessons from basketball for İbrahim Kutluay Classifieds

The truth is that I do not miss any program "Sahaya Cik" (Jump to the court)

, which broadcasts the channel NTV Spor Turkey's sports and one of the legends of basketball Turkish İbrahim Kutluay gives basketball lessons very entertaining children.

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Turkey Turks Mundobasket 2010 (and 2)

A matte at 5000 meters, sponsored by Turkish Airlines

in support of the Turkish national team in the next Mundobasket that houses the country.

Turks Are flying - Turkler uçuyor
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"Yahşi Cazibe" comedy Summer TV adverts

The new TV series is all the rage Turkish this summer
"Yahşi Cazibe" , a marriage of convenience between a Turkish businessman and a household Azeri, and the upstairs neighbor inspector Brigade Aliens Turkish police, laughter guaranteed. I leave you with the first chapter and promotional video.




YahÅi Cazibe - atv
Yükleyen BizimGri19
. - Film watch TV kanal ± ata ndaki diÄer videolar göz ± n

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Turkey Turkey Turkish Mundobasket 2010

New TV Ad

one of the sponsors of the Turkish national team basketball, the mobile phone company Turkcell, Istanbul all by shooting ...

hoppa!

Turkcell 12 Dev Adam Hoppa Reklam Filmi
Yükleyen affiliatekazanclari
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"On iki Dev Adam" Basketball World Turkey 2010

Less to start the

2010 FIBA \u200b\u200bWorld Championship in Turkey and could this be the opportunity for the combined Turkish shine at home. The On Iki Dev Adam ("12 Giant Men", a nickname widely used in Turkey to refer to their national team in the Eurobasket 2001 in Turkey was brought to fame in the hands of Turkish group known pop rock Athena) is one of European basketball powers, with runners such as the European Championship 2001, held precisely in Istanbul. The video accompanying this post is the advertisement of a well-known Turkish bank which sponsors the Turkish national team, and that future promises will "swipe" t-shirts to the "12 dev adam."

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CHARTS TURKISH DELIGHTS by Ricardo Ginés

Home Turkish satirical weekly
Pengue
in its edition of July 6, which addressed the separate visits of Prime Minister Recep Tayyip Erdoğan and the newly elected leader Kemal Kılıçdaroğlu the opposition to a Turkish military positions in southeastern Turkey, and the silly controversy over photographs of Erdoğan crouching behind the sandbags from a defensive position, photographs Kılıçdaroğlu and his party used to label a coward to the Prime Minister. Later she posed in the same place Kılıçdaroğlu, standing this time proving its worth. The absurd controversy, which lasted several weeks, led their respective biting satire, as the cover for Peng, and the caricature of the Turkish football, posing as an image that says the title "Our Honor Roll" up the Kılıçdaroğlu, bending the Erdoğan. This article

correspondent of La Vanguardia in Istanbul, Ricardo Ginés, published in the journal Foreign Policy in English, condensed into a nice reading on Turkish graphic humor and its influence on the Turkish political scene, must be read:
The satirical cartoon and policy does not make puppet head. Erdogan so upset already raised five complaints, as it did to Sultan Abdulhamid II, back in the late nineteenth century. A gender-free thermometer, with origins as old as the Ottoman Empire but as alive and renewed as the last of the game.
A woman with a pig's snout wearing a headscarf or turban, smiling face of a sign marking the direction of "AB" or Avrupa Birligi, ie European Union. In a country in which the pig is considered unclean animal according to the precepts of the majority religion: Islam. It comes in Turkey famous cartoon Türbanlı domuz, Avrupa Birliği yolunda (Cerda with Islamic headscarf on the road to the European Union), created by the hand of the cartoonist Turhan Selcuk, the dean of Turkish caricature, recently deceased. In reality it is a bitter criticism from Brussels to support Islamist-rooted party, the Justice and Development Party (AKP), in government since 2002. ( Continue reading on the website of Foreign Policy
)

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Mark Wigley on

"There is no cure for this. Once you decide to Become an architect, You are destined to Believe That buildings talk, and to talk to Also Believe That Other architects buildings Mostly speak ... and get together and show your Each Other work ".
-Mark Wigley, at the congress of architecture for less held in Pamplona, \u200b\u200bJune 2010.

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architects Jacques Herzog about the beauty

"Beauty is the MOST important thing in the world. More important food Than, Than everything, really. Marcuse Speaks of beauty as a revolution That has the power to seduce. And That Is What really power makes me get up in the morning. "
- Jacques Herzog, in Congress by less celebrated architecture in Pamplona, \u200b\u200bJune 2010.

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Takiya: Allah'ın Yolunda (Taqiyya: In the path of God)

In the Islamic tradition of taqiyya (التقية) called
kitman (كتمان) in the Shiite area, is the act of concealing their own religious beliefs when one fears for his life, the lives of their families or for the preservation of the faith. Is used most often in times of persecution or danger. Minority groups within Islam such as Shi'ite or Kharijites, have often had to resort to taqiyya or kitman as a way to preserve its integrity against the pressure of the Sunni majority. For this reason, it is often thought that taqiyya is a specifically Shiite phenomenon, but the fact is that Sunni tradition also exists, but is a more controversial subject. ( Wikipedia )
On May 7
opened Takiya: Allah'ın Yolunda ("Taqiyya: In the path of God") a film Germany and Turkish produced by Kadir Sözen (his is also the screenplay) and directed by Ben Verbong that addresses the plight of some Turkish immigrants in Europe who have been scammed by trusting people who are extremely religious, pious Muslims assumptions convince them to invest their savings in various methods of financing and investment permitted by Islam (usury, or charging interest is not allowed in this religion, to clear things up) and then being unable to recover their money. During the filming the actors have intervened Erhan Emre, Fahriye Evcen, Rutkay Aziz, Ali Sürmeli, Mahir Günşiray, Özay Fecht, Serkan Keskin, Güzelce Yalçın Aykut Kayacık, Stipe Erceg, Michael Mendel and Susan Anbe. Of the artists mentioned, I would highlight one of the most beautiful actresses panorama of Turkish cinema and television (if not more), Fahriye Evcen (pictured right) famous for his role Necla in the TV series Yaprak Dökümü , Turkish channel Kanal D , a series that has elevated. Many in Turkey have been bowlegged when they have seen the Islamic veil, I must say. Just commenting that the film has not sat well in certain sectors of Turkey, as expected, has imposed a boycott of this film, but Kadir Sözen writer argues that this film was made as an attack on Islam or Muslims, quite the contrary, only deals with real events that occurred in Germany, the personal drama of believers, honest and straight lines are deceived using religion, nothing new under the sun, come on ... in July will be released at the same time in Germany, and here I leave with the trailer.

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Five contemporary artists in the Turkish city of Istanbul

Magalí Filmed by Berenguer, this video would highlight the first artist featured in the video, a painter I did that
echoed in this blog back in 2006
, specifically speak of Özgür Yener, which recently revamped its website . His works are simply wonderful.

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Beatriz Colomina conference on post-humanist man

Within the framework of the VII Congress Interacional architecture organized by the University of Navarra, I had the opportunity today to attend a conference architect and historian Beatriz Colomina . The conference focused on the theme of travel in the transition from architecture to modernity, specifically, architects travel to or from Spain.

Colomina has the last lecture of the conference and talked about the figure of Le Corbusier as the first global architect. Although many architects and made trips had work in many places throughout the twentieth century , one could say that none had as extensive a work around the world, and none was so fascinated with transportation and the trip itself as the famous architect Switzerland.

Amid colorful anecdotes of the character of Le Corbusier as being brilliant, eccentric and media , Colomina has reflected on the role of modern man as being "post-human" an animal capable of flying and manage time and space at breakneck speeds . A being with a deep connection capacity. At the end of his lecture, Colomina has tied the revolutionary practices of the architect and his desire to travel to the offices modern transnational days, that having offices in New York and China working almost 24 / 7.

The hypermobility of the second half of the twentieth as a symptom of a global society may look now replaced by a hyper . The means of communication in general and specific internet today allow days is not necessary to travel to establish a communication .

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Esref Armagan, a peerless artist

Esref Armagan (Ankara, Turkey, 1953) is blind from birth, which has not prevented him develop his career as a painter. Coming from a poor family has received no arts education, despite which he taught himself to write and draw. Their method uses first a punch to mark an outline braille and then apply oil colors by hand. As used only one color at a time, is forced to wait two or three days to dry to apply another. This form of painting is unique Armagan. (From the great blog Carlos Cesar Alvarez, "Days of Future Past" ) Anyway, I found this ad for a famous brand of automobile in which he appeared this wonderful Turkish blind painter, and I said to share with you ...

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The central courtyard of the Museum MARCO

The tradition of the court is bound to fund the lifestyle of Latin American house. The patio is a gathering place for contemplation, but also a meeting. Is a distributor and a destination in itself. In the case of the courtyard of the Museum MARCO in Monterrey, the arch. Ricardo Legorreta, is easy to read the influence of the Mexican hacienda. It is also easy to see water management as Barragán.

But perhaps more interesting to look at extending the long tradition of iconic buildings in central areas of architecture.



In the Villa Rotonda, for example, Palladio created a central space of the Pantheon way it distributes to four identical rooms. This site has been copied profusely from summer villas to the White House. It also incorporates the types of museums, the moment they cease to be private art galleries to become more knowledge and public recreation.

A museum paradigm, the Altes of Schinkel, has this central space. The "sanctuarium" as he calls it, is really the heart of your project. Between this space and two rectangular courtyards distributes traffic to a set of rooms the same size.

In Mark, this central area is also surrounded by a portico, but the galleries are of different sizes, colors and lighting qualities. Instead of robotically through the museum, the experience becomes an individual discovery. The space is compartmentalized, but in an asymmetrical and gradual. Accessing the museum from the city, the courtyard becomes a welcome respite, a place where there is light and the sound of water. Walking the halls, it becomes a reference point. Like the old haciendas, and in their houses, as in Altes or Villa Rotonda and the Pantheon: a space to understand what distinguishes architecture building.